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Its story is somehow similar to “Tokyo Fist”, which is very violent and that seems to be just a warm-up to “A Snake of June”.ģ. The film can be understood simply if you concentrate on the characters, mainly its good, shy, tortured and stalked protagonist. Due to its surreal and nightmarish imagery, it’s hard to identify the real and imagined. The continuous rain through many scenes of the film and its stunning blue monochrome cinematography have been used to connect the characters, locations, and cinematography with the film’s theme of voyeurism and a sort of revenge. His typical style has surely been mastered in his masterpiece “A Snake of June”, a bizarre, disturbing, voyeuristic and surrealist erotic film. Shinya Tsukamoto is generally known as the cult director of such bizarre films like “Tetsuo: The Iron Man” and “Tokyo Fist”, among others. Those who haven’t seen and enjoyed it are surely unfortunate people.Ģ. This film is famous as well as infamous all over the world and doesn’t need further explanation. He shows how lust can lead people to death. Oshima is particularly focused on these themes rather than Sada Abe’s love for her lover. It’s even a sort of a parable in that theme. This film’s main theme is lust and jealousy, and of course, it is possibly the greatest example of that. It has many unsimulated sex scenes which prevented it from being widely released. It has many powerful and immensely erotic scenes that make audiences feel as if they aren’t watching a film but are making love with a lusty geisha. The film itself is based on real incidents from her life.
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Possibly one of the greatest erotic films of all time, Nagisa Oshima’s incredible masterpiece “In the Realm of the Senses” focuses mainly on the erotic life of Sada Abe, a real woman of Japan who later became a folk hero in her country. In the Realm of the Senses (Nagisa Oshima, 1976) Here is the list of 30 Classic Pink Films.ġ. Of course, the main aim of this list is to throw light on many classic pink films that aren’t very well known. This list has included those films whose primary substance is sex, eroticism, sadomasochism, geishas or prostitutes, and which generally don’t fall into other genres. Kaneto Shindo’s “Onibaba” is erotic but it’s also a horror classic. Shohei Imamura’s “Unholy Desire”, “The Insect Woman”, and “The Pornographers” aren’t pinky they are realistic films that are generally hailed as classics of Japanese New Wave. Seijun Suzuki’s “Branded to Kill” is more of a Yakuza film rather than pink.
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Generally, films from Japanese New Wave are excluded except the works of Nagisa Oshima, whose films are actually very erotic and pinky.įor example, Akio Jissoji’s two masterpieces “Mujo” and “Mandala”, and Yoshishige Yoshida’s masterpiece “Eros Plus Massacre” are more philosophical and aesthetic films rather than erotic. But it has excluded many such films consisting of erotic elements which aren’t very much pinky but usually fall into other genres.
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This list tried to include many classic pink films, which can be Nikkatsu Roman Porno, Toei Pinky Violence, or other Japanese erotic films. Pink films dominated the Japanese film market through 1960s to the 1980s. Japanese filmmakers have made some of the greatest films of the world in this genre. They aren’t only erotic but also highly artistic and aesthetic as well. However, they can’t be compared to those base and two-bit B-grade films from other countries, and that is the main element that specializes and distinguishes them from those sexploitation and erotic mainstream films from those other countries. Generally all types of feature films that include erotic elements are known as pink films. Pink film is one of the most important genres that Japan has given to world cinema.